You can further personalize things with customized wording above and below the wavelength, be it the artist/title info, lyrics, or your own heartfelt message. The couple will transform any tune into a hangable piece of art (28 by 8 inches) finished with a black or walnut stain. Looking for a way to represent someone's favorite song? Georgia artists Jenny Lee and Justin Roberts came up with a gorgeous solution in the form of their custom-made wood carvings of sound waves.
It's certainly the coolest place to rest your cool drinks. Sold in sets of four, these nostalgia-packed colorful creations come in a variety of genres: '70s classic rock, jazz, country, British Invasion, folk, R&B, and even Christmas. $30, Įtsy shop 2VinylCats came up with the perfect solution for what to do with old beat-up vinyl records - pop out the center with the album info labeling and turn them into drink coasters. Snag multiple lightbulbs for a surround sound (and color) experience.
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Texsens is here to answer the musical question: Why can't I listen to Lorde's "Green Light" on a green light bulb? Yes, this eight-watt LED bulb has a built-in bluetooth speaker and adjustable color wheel (controlled via app) to turn any space into your own private dance club. TEXSENS BLUETOOTH COLOR-CHANGING LIGHTBULB SPEAKER There's no dirtier word in the punk rock lexicon than "sellout." Music journalist Dan Ozzi digs deep into the last pre-streaming industry boom period for the genre by telling the stories of the major label debut albums from 11 of the era's most notable bands - ranging from the massive successes (Green Day, My Chemical Romance) to the commercial failures (Jawbreaker, The Distillers), and even the bands that flopped only to rebound (Jimmy Eat World). SELLOUT: THE MAJOR-LABEL FEEDING FRENZY THAT SWEPT EMO, PUNK, AND HARDCORE (1994-2007) BY DAN OZZI Considering how much of our own personal history and memories can be tied to the music we were listening to in a given year, the book's structure really makes sense as a framework for analysis. In his new book, Music Is History, he picks one song for each of the past 40 years (starting in 1971) and uses it as a lens through which culture, politics, race and the music of the moment can be viewed. As anyone who saw his documentary Summer of Soul can attest, Questlove is a viable musical historian.
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