So when we go into D hazing, that's four.
Lightroom photo editing clarity skin#
Don't go too far with it because it gets a little bit heavy handed and then later I'll come in and bring texture out of her skin and and we'll get a really nice soft skin but nice, crisp eyes and things like that. You look, um, so just take the clarity up.
A lot of the times I will add a little bit of clarity to a photograph because clarity will just kind of help toe bring out this like her eyebrows and kind of sharpen up her eyelashes and things like that, especially if you have an image that's just slightly soft, that the clarity tool will help to just kind of separate things out and get rid of some of that just soft focus. Take the texture up all day long because it's beautiful in a landscape photo or ah, in a architectural photo. You really need to apply in a brush or integrating or in a radio filter something like that, because you need targeted specifically, Um, but that being said, if we look at texture as a landscape tool, it is absolutely fantastic, Um, for foliage and mountainsides and things like that. It's not a good idea to just apply negative texture across an entire image. So when we talk about retouching, that's when we would want to work on texture. So we will use that in our retouching process later, as we are able to apply texture to our negative texture to skin specifically with our brush, which is right up here. Texture is really awesome for skin, but it's also not great for hair. Now you'll notice that it's all off, so sof. You can see that there's a texture to her skin, and if I grab it and bring it down, it softens up that skin. So if I grab on the texture and bring it down, you can see here, look at her forehead. Texture is the same thing on a much more more minute lead level, and so it is actually really great for taking down skin texture. So if you have a lot of contrast in the mid tones than the shadow over, wrinkle is really deep in the highlight of the wrinkle is really bright, and so you get a pretty severe wrinkle, and if you go the opposite direction and limit the contrast, then the shadow gets brighter, the highlight gets darker and you no longer have a wrinkle. Clarity is basically contrast in your mid tones. Um, it usedto be that they just had clarity.
So that is all of your basic adjustments, and then you get into texture, clarity and d hazing. Basics Panel: Texture, Clarity, and Dehaze
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